![]() He liked David Byrne, and Christopher Guest, too. And this is what he and Wareheim dove into, as well. That led him to discover smaller, more nuanced aspects of entertainment that tickled him. But he began to discover more things that inspired him, like the idea of being an “auteur” in the vein of directors Martin Scorsese or Quinten Tarantino. Heidecker says he didn’t get into the programs that would lead him to be a serious actor. “I thought as a younger kid, I was going to be an actor,” Heidecker says. The two would later start, among other projects, the Tim and Eric Awesome Show, Great Job! That led him to creative areas in college, at Temple University, which is also where he met his future collaborative partner Eric Wareheim. He’d take part in multiple shows per year. The theater world became his hangout, his safe space. Heidecker learned from and performed with them, first via the children’s’ theater scene and then later as a young adult. The town is a few hours outside of New York City, and so, actors with ties to the Big Apple would also spend time in Allentown. There were pockets of creativity, specifically in the local theater scene, of which he was apart. Growing up in the suburban town of Allentown, life was both uneventful, Heidecker says, and interesting. ![]() Like everybody else, I got a cheap guitar for Christmas, and I’d go in the basement and try to learn, like, ‘Whole Lotta Love’ or ‘White Room’ by Cream and build from there.” I had some like-minded friends who were also into it. Songs from acts like the Beatles, Cream and Simon and Garfunkel, and others from “the canon.” Later, as a present, he got a guitar and began to try to figure out these songs on his own, strumming away. And his dad would often play a bunch of classic songs on cassettes in the car while Heidecker was growing up in Allentown, Pennsylvania in the 1980s. His grandmother played music on the piano. Heidecker found music as a young person in several ways. I’m happy with that, regardless of what other people say.” And my focus is on how do I keep making things? But I enjoy when it’s all working. “In that sense,” Heidecker tells American Songwriter, “the end product is not as valuable as the making of it. So, while his new album is of the past, it’s also a part of his future and may, in the end, even portend what Heidecker will do next, artistically. Instead, he’s willing to mine his past for new work, as he looks ahead down creative roads. He’s not one to examine his past body of work, he doesn’t want to get tripped up on it. But that mantra can’t always be the reality, given Heidecker’s most recent work, his forthcoming new LP, High School, which he’s set to release on Friday (June 24). He says the phrase “Don’t look back” is something of a guiding light. But more than those aspects, Heidecker cares about the moments when he’s elbow-deep in the work. Yes, they are what’s consumed by the audience and how he and his like-minded colleagues support themselves. Songwriter, comedian, actor, and all-around creative person Tim Heidecker cares most about process.
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